Get the Look: Anne Hathaway’s Updated ‘90s Style

“First, I started by applying Leonor Greyl Mousse au Lotus Volumatrice from the roots to midshaft to create volume and memory to the style. I didn’t apply any mousse to the ends of her hair to keep the weight around the structure of the head, right around the roots. Then, I created a deep side part following the arch of her brow,” said Abergel.

“I applied Éclat Naturel on the ends to give it a little more separation but at the same time protect the hair from heat styling and then used a diffuser to dry her hair completely, making sure to scrunch the hair so that the natural texture came through.”

“Once her hair was completely dry, I used a 3/4” curling iron and created a soft, defined wave by winding it around the iron. The secret to this kind of look is to curl from the roots to the midshaft, leaving the ends out. It’s really about just creating movement and a very loose wave, rather than a curl. This adds amazing texture and separation to give it that effortless style.”

“I readjusted the deep side part so that it came down and covered half of one eyebrow; it really gave it that 90’s edge. I finished the look by using Leonor Greyl Laque Souple. This will lock in the style all night without weighing it down.”

“As a base, I used a few small dabs of Chanel Perfection Lumière Long-Wear Flawless Fluid Sunscreen Makeup SPF 15 in the larger areas of the face, cheeks, forehead and chin and then I blended it with a damp Beauty Blender sponge. I like the opaque quality of this foundation,” said Lee.

“I did a final sweep of Chanel Les Beiges Healthy Glow Sheer Colour SPF 15 to set everything in place and diffuse the light.”

“I curled her lashes before starting the eye. I then used Chanel Intense Eye Pencil in Marine to draw a line outward from her lashline. I followed this by blending the line upwards into a soft round shape in the outer corner of the eye. This makes a great base before the powder shadow and helps to build intensity.”

“Next, I used the dark gunmetal shade from the Chanel Quadra Eyeshadow in Tissé Gabrielle. I worked over the liner and blended the shadow out until I had a horizontal soft oval shape that stopped right at the eye socket.”

“I applied a few coats of Chanel Inimitable Waterproof Mascara in Noir and a few false lashes to complete the elongated gray eye.”

On cheeks, Lee used Laura Mercier Cream Blush in Praline.

She finished the look with Chanel Rouge Coco Hydrating Crème Lip Colour in Sentiment on Hathaway’s lips.